| I almost never set out to photograph a | There is nothing worse than a sharp image of |
| landscape, nor do I think of my camera as a | a fuzzy concept. - Ansel Adams |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Once photography enters your bloodstream, |
| first thought is always of light. - Galen | it's like a disease. - Anon |
| Rowell | |
| | "Simply look with perceptive eyes at the |
| The difficulty with color is to go beyond the | world about you, and trust to your own |
| fact that it's color to have it be not just a | reactions and convictions. Ask yourself: |
| colorful picture but really be a picture about | "Does this subject move me to feel, think |
| something. It's difficult. So often color gets | and dream? Can I visualize a print - my own |
| caught up in color, and it becomes merely | personal statement of what I feel and want to |
| decorative. Some photographers use [ it ] | convey - from the subject before me?" |
| brilliantly to make visual statements combining | - Ansel Adams |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Los Angeles |
Cincinnati |
Austin |
Tucson |
Fresno |
Chattanooga |
North Little Rock |
Somerset |
Lawrenceville |
Boise |
Louisa |
Borger |
Rockville Centre |
Chillicothe |
Attalla |
Malvern |
Brentwood |
Midland |
Princeton |
Chapmanville |
Minden |
Santa Clara |
Washington |
Deerfield |
Sneads Ferry |
Warrenton |
Rockaway |
Friday Harbor |
Moultrie |
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| A picture is the expression of an impression. If | Photography records the gamut of feelings |
| the beautiful were not in us, how would we | written on the human face, the beauty of the |
| ever recognize it? - Ernst Haas | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| You can find pictures anywhere. It's simply a | - Edward Steichen |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | Memory is very important, the memory of |
| and have a concern with humanity and the | each photo taken, flowing at the same speed |
| human comedy. - Elliott Erwitt | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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