| No place is boring, if you've had a good | My own eyes are no more than scouts on a |
| night's sleep and have a pocket full of | preliminary search, for the camera's eye may |
| unexposed film. - Robert Adams | entirely change my idea. - Edward |
| | Weston |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | A mad, keen photographer needs to get out |
| You just have to care about what's around you | into the world and work and make mistakes. |
| and have a concern with humanity and the | - Sam Abell |
| human comedy. - Elliott Erwitt | |
| | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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San Francisco |
Oklahoma City |
Madison |
Montgomery |
Torrance |
Cuyahoga Falls |
Mystic |
Erie |
Virginia Beach |
Kingsport |
North Richland Hills |
Manchester |
Catonsville |
Port Jefferson |
Sulphur |
Morgan Hill |
North Miami |
Port Allen |
Stanton |
La Crosse |
Glr |
Lamar |
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| Memory is very important, the memory of | Above all, it's hard learning to live with vivid |
| each photo taken, flowing at the same speed | mental images of scenes I cared for and failed |
| as the event. During the work, you have to be | to photograph. It is the edgy existence within |
| sure that you haven't left any holes, that you've | me of these unmade images that is the only |
| captured everything, because afterwards it will | assurance that the best photographs are yet to |
| be too late. - Henri Cartier Bresson | be made. - Sam Abell |
| | |
| Pictures you have taken have an influence on | Now to consult the rules of composition before |
| those that you are going to make. | making a picture is a little like consulting the |
| That's life! - John Sexton | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
|