| ...words and pictures can work together to | It is not the language of painters but the |
| communicate more powerfully than either | language of nature which one should listen to. |
| alone. -William Albert Allard | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Pictures you have taken have an influence on | pictures. - Vincent Van Gogh |
| those that you are going to make. | |
| That's life! - John Sexton | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
| Photography is about finding out what can | |
| happen in the frame. When you put four | [Photography] is a way of feeling, of touching, |
| edges around some facts, you change those | of loving. What you have caught on film is |
| facts. - Gary Winogrand | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Chicago |
Kansas City |
Brooklyn |
Miami |
Virginia Beach |
Fort Myers |
Wichita |
Aurora |
Boise |
Gainesville |
El Cajon |
Madison |
Mountain View |
Arlington |
Omaha |
Portsmouth |
Franklin |
Hattiesburg |
North Hollywood |
Hanford |
Goose Creek |
Owatonna |
Peabody |
Bothell |
North Myrtle Beach |
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| I almost never set out to photograph a | A picture is the expression of an impression. If |
| landscape, nor do I think of my camera as a | the beautiful were not in us, how would we |
| means of recording a mountain or an animal | ever recognize it? - Ernst Haas |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | No place is boring, if you've had a good |
| Rowell | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | I think the best pictures are often on the edges |
| colorful picture but really be a picture about | of any situation, I don't find photographing the |
| something. It's difficult. So often color gets | situation nearly as interesting as |
| caught up in color, and it becomes merely | photographing the edges. - William Albert |
| decorative. Some photographers use [ it ] | Allard |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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