| Pictures you have taken have an influence on | A room hung with pictures is a room hung with |
| those that you are going to make. | thoughts. - Sir Joshua Reynolds |
| That's life! - John Sexton | |
| | A picture is the expression of an impression. If |
| Memory is very important, the memory of | the beautiful were not in us, how would we |
| each photo taken, flowing at the same speed | ever recognize it? - Ernst Haas |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | A great photograph is one that fully expresses |
| captured everything, because afterwards it will | what one feels, in the deepest sense, about |
| be too late. - Henri Cartier Bresson | what is being photographed. - Ansel |
| | Adams |
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Houston |
Baton Rouge |
Lexington |
Greensboro |
Dallas |
Memphis |
Tucson |
Trenton |
Waco |
Fullerton |
Redlands |
Huntington |
Bentonville |
San Marcos |
Silver Spring |
Maryland Heights |
Ogden |
Amarillo |
Natick |
Malvern |
Corsicana |
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| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| It is not the language of painters but the | color and content; otherwise it is empty. |
| language of nature which one should listen to. | - Mary Ellen Mark |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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