| One should really use the camera as though | You can find pictures anywhere. It's simply a |
| tomorrow you'd be stricken blind. | matter of noticing things and organizing them. |
| - Dorothea Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| A mad, keen photographer needs to get out | human comedy. - Elliott Erwitt |
| into the world and work and make mistakes. | |
| - Sam Abell | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| The difficulty with color is to go beyond the | ever recognize it? - Ernst Haas |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Colorado Springs |
Des Moines |
Baltimore |
Pensacola |
Fort Lauderdale |
Chambersburg |
Jacksonville |
Asheville |
Westport |
Madison |
Siler City |
St. Cloud |
Lynnwood |
Evanston |
Palatine Bridge |
Fountain Hills |
Peoria |
Rayne |
Breezewood |
Ainsworth |
Crawfordsville |
Fall River |
White'S City |
Bishopville |
Nags Head |
Clarksville |
Tumwater |
Westlake |
Dixon |
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| I think you have to have a real point of view | It is not the language of painters but the |
| that's your own. You have to tell it your way. | language of nature which one should listen to. |
| And, I think that it's a mistake to shoot for a | . . . The feeling for the things themselves, for |
| specific magazine's point of view because it's | reality, is more important than the feeling for |
| never going to be as good. You have to shoot | pictures. - Vincent Van Gogh |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | Photography is my passion. - Alfred |
| | Stieglitz |
| Photography is about finding out what can | |
| happen in the frame. When you put four | There is nothing worse than a sharp image of |
| edges around some facts, you change those | a fuzzy concept. - Ansel Adams |
| facts. - Gary Winogrand | |
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