| There is nothing worse than a sharp image of | Photography knows how to authenticate its |
| a fuzzy concept. - Ansel Adams | misrepresentations. - Mason Cooley |
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| Once photography enters your bloodstream, | Memory is very important, the memory of |
| it's like a disease. - Anon | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| [Photography] is a way of feeling, of touching, | sure that you haven't left any holes, that you've |
| of loving. What you have caught on film is | captured everything, because afterwards it will |
| captured forever . . . it remembers little things, | be too late. - Henri Cartier Bresson |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Brooklyn |
San Diego |
Knoxville |
Anaheim |
Morristown |
New Brunswick |
Texarkana |
Coon Rapids |
Chambersburg |
Phenix City |
Waterford |
Bullhead City |
Jacksonville |
Antioch |
Blackfoot |
Ashland |
Monrovia |
Tukwila |
Gulfport |
Richfield |
Monroeville |
Citrus Heights |
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| The difficulty with color is to go beyond the | A picture is the expression of an impression. If |
| fact that it's color to have it be not just a | the beautiful were not in us, how would we |
| colorful picture but really be a picture about | ever recognize it? - Ernst Haas |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | No place is boring, if you've had a good |
| decorative. Some photographers use [ it ] | night's sleep and have a pocket full of |
| brilliantly to make visual statements combining | unexposed film. - Robert Adams |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
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