| My own eyes are no more than scouts on a | It is not the language of painters but the |
| preliminary search, for the camera's eye may | language of nature which one should listen to. |
| entirely change my idea. - Edward | . . . The feeling for the things themselves, for |
| Weston | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | [Photography] is a way of feeling, of touching, |
| artist, but the impulse it gives him to keep on | of loving. What you have caught on film is |
| looking. - Brooks Anderson | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Las Vegas |
Miami |
Little Rock |
St. Louis |
Whittier |
Orlando |
Dearborn |
Wilmington |
Delray Beach |
Biloxi |
Joliet |
Huntington Beach |
Albany |
Vista |
Pasadena |
Concord |
Sheboygan |
Latrobe |
Auburn |
Chantilly |
Dahlonega |
Batesville |
Sanford |
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| I think you have to have a real point of view | Keep it simple. - Alfred Eienstaedt |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | I think the best pictures are often on the edges |
| specific magazine's point of view because it's | of any situation, I don't find photographing the |
| never going to be as good. You have to shoot | situation nearly as interesting as |
| for yourself and photograph [the way] you | photographing the edges. - William Albert |
| believe it. - Mary Ellen Mark | Allard |
| | |
| Photography is a major force in explaining | No place is boring, if you've had a good |
| man to man. - Edward Steichen | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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