| Photography records the gamut of feelings | You can find pictures anywhere. It's simply a |
| written on the human face, the beauty of the | matter of noticing things and organizing them. |
| earth and skies that man has inherited and the | You just have to care about what's around you |
| wealth and confusion man has created. | and have a concern with humanity and the |
| - Edward Steichen | human comedy. - Elliott Erwitt |
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| Memory is very important, the memory of | No place is boring, if you've had a good |
| each photo taken, flowing at the same speed | night's sleep and have a pocket full of |
| as the event. During the work, you have to be | unexposed film. - Robert Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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San Diego |
San Jose |
Portland |
St. Louis |
Salt Lake City |
Louisville |
Las Vegas |
Anderson |
Tulsa |
Grand Junction |
New Smyrna Beach |
Glendora |
Warwick |
Boise |
Newton |
Pharr |
Mansfield |
Clarksville |
Wilmington |
Greenwood |
Novato |
San Rafael |
Duluth |
Selma |
Muskogee |
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| Photography is my passion. - Alfred | My own eyes are no more than scouts on a |
| Stieglitz | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Above all, it's hard learning to live with vivid | Weston |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | The difficulty with color is to go beyond the |
| me of these unmade images that is the only | fact that it's color to have it be not just a |
| assurance that the best photographs are yet to | colorful picture but really be a picture about |
| be made. - Sam Abell | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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