| You've got to push yourself harder. You've got | [Photography] is a way of feeling, of touching, |
| to start looking for pictures nobody else could | of loving. What you have caught on film is |
| take. You've got to take the tools you have and | captured forever . . . it remembers little things, |
| probe deeper. - William Albert Allard | long after you have forgotten everything. |
| | - Aaron Siskind |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Now to consult the rules of composition before |
| earth and skies that man has inherited and the | making a picture is a little like consulting the |
| wealth and confusion man has created. | law of gravitation before going for a walk. |
| - Edward Steichen | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
|
|
New York |
Memphis |
Colorado Springs |
West Palm Beach |
Pasadena |
Stuart |
Columbus |
Marlborough |
Reno |
Poplar Bluff |
Topeka |
Decatur |
Santa Fe Springs |
Laurinburg |
Coon Rapids |
City Of Industry |
Holland |
San Luis Obispo |
Po Box 799 Mount Jackson |
Washington |
Gloucester City |
Blakely |
Hazelhurst |
Stone Mountain |
North Palm Beach |
Villa Ridge |
|
|
| Photography suits the temper of this ageof | You can find pictures anywhere. It's simply a |
| active bodies and minds. It is a perfect | matter of noticing things and organizing them. |
| medium for one whose mind is teeming with | You just have to care about what's around you |
| ideas, imagery, for a prolific worker who | and have a concern with humanity and the |
| would be slowed down by painting or | human comedy. - Elliott Erwitt |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| The difficulty with color is to go beyond the | what is being photographed. - Ansel |
| fact that it's color to have it be not just a | Adams |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|