| The difficulty with color is to go beyond the | A picture is the expression of an impression. If |
| fact that it's color to have it be not just a | the beautiful were not in us, how would we |
| colorful picture but really be a picture about | ever recognize it? - Ernst Haas |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | A great photograph is one that fully expresses |
| decorative. Some photographers use [ it ] | what one feels, in the deepest sense, about |
| brilliantly to make visual statements combining | what is being photographed. - Ansel |
| color and content; otherwise it is empty. | Adams |
| - Mary Ellen Mark | |
| | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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Houston |
Los Angeles |
Cincinnati |
Miami |
Cleveland |
Dallas |
Minneapolis |
New York |
Davenport |
Arlington |
Green Bay |
Staunton |
Ann Arbor |
Boulder |
Apex |
Bloomington |
Duluth |
Hobart |
Superior |
Fairfield |
Florence |
Homewood |
Laurel |
Westampton |
Germantown |
Puyallup |
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| "Simply look with perceptive eyes at the | I think you have to have a real point of view |
| world about you, and trust to your own | that's your own. You have to tell it your way. |
| reactions and convictions. Ask yourself: | And, I think that it's a mistake to shoot for a |
| "Does this subject move me to feel, think | specific magazine's point of view because it's |
| and dream? Can I visualize a print - my own | never going to be as good. You have to shoot |
| personal statement of what I feel and want to | for yourself and photograph [the way] you |
| convey - from the subject before me?" | believe it. - Mary Ellen Mark |
| - Ansel Adams | |
| | You've got to push yourself harder. You've got |
| It is not the language of painters but the | to start looking for pictures nobody else could |
| language of nature which one should listen to. | take. You've got to take the tools you have and |
| . . . The feeling for the things themselves, for | probe deeper. - William Albert Allard |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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