| No place is boring, if you've had a good | It is not the language of painters but the |
| night's sleep and have a pocket full of | language of nature which one should listen to. |
| unexposed film. - Robert Adams | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| You can find pictures anywhere. It's simply a | pictures. - Vincent Van Gogh |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | Photography takes an instant out of time, |
| and have a concern with humanity and the | altering life by holding it still. - Dorothea |
| human comedy. - Elliott Erwitt | Lange |
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Washington |
San Francisco |
Colorado Springs |
Charlotte |
Portland |
Chattanooga |
Boston |
Billings |
Anderson |
San Diego |
Louisville |
Cleveland |
Scottsbluff |
Brazil |
Marquette |
Salem |
Benton |
Hollister |
Cairo |
Cincinnati |
Del Mar |
Raynham |
Lewistown |
Hasbrouck Heights |
Centerville |
Loudon |
Los Lunas |
Sturgis |
Superior |
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| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| ...words and pictures can work together to | Weston |
| communicate more powerfully than either | |
| alone. -William Albert Allard | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| Memory is very important, the memory of | - Dorothea Lange |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | A mad, keen photographer needs to get out |
| sure that you haven't left any holes, that you've | into the world and work and make mistakes. |
| captured everything, because afterwards it will | - Sam Abell |
| be too late. - Henri Cartier Bresson | |
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