| Photography records the gamut of feelings | My own eyes are no more than scouts on a |
| written on the human face, the beauty of the | preliminary search, for the camera's eye may |
| earth and skies that man has inherited and the | entirely change my idea. - Edward |
| wealth and confusion man has created. | Weston |
| - Edward Steichen | |
| | The virtue of the camera is not the power it |
| Memory is very important, the memory of | has to transform the photographer into an |
| each photo taken, flowing at the same speed | artist, but the impulse it gives him to keep on |
| as the event. During the work, you have to be | looking. - Brooks Anderson |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| A great photograph is one that fully expresses | Above all, it's hard learning to live with vivid |
| what one feels, in the deepest sense, about | mental images of scenes I cared for and failed |
| what is being photographed. - Ansel | to photograph. It is the edgy existence within |
| Adams | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| I think the best pictures are often on the edges | be made. - Sam Abell |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | There is nothing worse than a sharp image of |
| photographing the edges. - William Albert | a fuzzy concept. - Ansel Adams |
| Allard | |
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