| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | I think the best pictures are often on the edges |
| personal statement of what I feel and want to | of any situation, I don't find photographing the |
| convey - from the subject before me?" | situation nearly as interesting as |
| - Ansel Adams | photographing the edges. - William Albert |
| | Allard |
| It is not the language of painters but the | |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Atlanta |
Memphis |
Little Rock |
Norfolk |
Providence |
Olympia |
Columbus |
Auburn |
Rockmart |
Boone |
Dallas |
Florence |
Fort Collins |
Elmira |
Montgomery |
Lewisburg |
Gladewater |
Crestview |
Union Gap |
Moody |
Albemarle |
Inglewood |
Robinsonville |
Kinston |
Gloucester City |
Hollywood Beach |
Delaware Water Gap |
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| A mad, keen photographer needs to get out | Photography is about finding out what can |
| into the world and work and make mistakes. | happen in the frame. When you put four |
| - Sam Abell | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | Photography is a major force in explaining |
| medium for one whose mind is teeming with | man to man. - Edward Steichen |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Pictures you have taken have an influence on |
| sculpting, for one who sees quickly and acts | those that you are going to make. |
| decisively, accurately. - Edward Weston | That's life! - John Sexton |
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