| You can find pictures anywhere. It's simply a | Photography records the gamut of feelings |
| matter of noticing things and organizing them. | written on the human face, the beauty of the |
| You just have to care about what's around you | earth and skies that man has inherited and the |
| and have a concern with humanity and the | wealth and confusion man has created. |
| human comedy. - Elliott Erwitt | - Edward Steichen |
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| I think the best pictures are often on the edges | Pictures you have taken have an influence on |
| of any situation, I don't find photographing the | those that you are going to make. |
| situation nearly as interesting as | That's life! - John Sexton |
| photographing the edges. - William Albert | |
| Allard | |
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Los Angeles |
Philadelphia |
Rochester |
Modesto |
Palm Harbor |
San Antonio |
Staten Island |
Winchester |
Redmond |
Portland |
San Angelo |
Rancho Cucamonga |
Coopersburg |
Homosassa |
Boscobel |
Somerset |
Key West |
Jackson |
Dunkirk |
Beloit |
West Warwick |
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| [Photography] is a way of feeling, of touching, | I almost never set out to photograph a |
| of loving. What you have caught on film is | landscape, nor do I think of my camera as a |
| captured forever . . . it remembers little things, | means of recording a mountain or an animal |
| long after you have forgotten everything. | unless I absolutely need a 'record shot'. My |
| - Aaron Siskind | first thought is always of light. - Galen |
| | Rowell |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | My own eyes are no more than scouts on a |
| law of gravitation before going for a walk. | preliminary search, for the camera's eye may |
| Such rules and laws are deduced from the | entirely change my idea. - Edward |
| accomplished fact; they are the products of | Weston |
| reflection . . . - Edward Weston | |
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