| It is not the language of painters but the | My own eyes are no more than scouts on a |
| language of nature which one should listen to. | preliminary search, for the camera's eye may |
| . . . The feeling for the things themselves, for | entirely change my idea. - Edward |
| reality, is more important than the feeling for | Weston |
| pictures. - Vincent Van Gogh | |
| | The difficulty with color is to go beyond the |
| There is nothing worse than a sharp image of | fact that it's color to have it be not just a |
| a fuzzy concept. - Ansel Adams | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Photography is my passion. - Alfred | caught up in color, and it becomes merely |
| Stieglitz | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Houston |
St. Louis |
Brooklyn |
Omaha |
Las Vegas |
Columbus |
Miami |
Hutchinson |
Sheboygan |
Covington |
Newark |
Oak Park |
El Reno |
Sewickley |
Atchison |
Egg Harbor Township |
Benson |
Burnet |
Moosic |
Rutland |
Selinsgrove |
Surfside Beach |
Jonestown |
Glen Burnie |
Sterling Heights |
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| Photography is a major force in explaining | No place is boring, if you've had a good |
| man to man. - Edward Steichen | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | A room hung with pictures is a room hung with |
| And, I think that it's a mistake to shoot for a | thoughts. - Sir Joshua Reynolds |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A great photograph is one that fully expresses |
| for yourself and photograph [the way] you | what one feels, in the deepest sense, about |
| believe it. - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
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