| Photography knows how to authenticate its | The difficulty with color is to go beyond the |
| misrepresentations. - Mason Cooley | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| I think you have to have a real point of view | something. It's difficult. So often color gets |
| that's your own. You have to tell it your way. | caught up in color, and it becomes merely |
| And, I think that it's a mistake to shoot for a | decorative. Some photographers use [ it ] |
| specific magazine's point of view because it's | brilliantly to make visual statements combining |
| never going to be as good. You have to shoot | color and content; otherwise it is empty. |
| for yourself and photograph [the way] you | - Mary Ellen Mark |
| believe it. - Mary Ellen Mark | |
|
|
Chicago |
Houston |
Jacksonville |
Flint |
Oakland |
Orlando |
Bensalem |
Bellevue |
American Fork |
Corbin |
Great Neck |
Malden |
Craig |
Ennis |
Victoria |
Ridgecrest |
Homestead |
Angleton |
Augusta |
Smithfield |
Yorktown |
Antioch |
Gulf Breeze |
Weirton |
Prairie Du Chien |
Cherokee |
Aptos |
Duncansville |
Goose Creek |
|
|
| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Sometimes you can tell a large story with a |
| personal statement of what I feel and want to | tiny subject. - Eliot Porter |
| convey - from the subject before me?" | |
| - Ansel Adams | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| Photography takes an instant out of time, | You just have to care about what's around you |
| altering life by holding it still. - Dorothea | and have a concern with humanity and the |
| Lange | human comedy. - Elliott Erwitt |
|