| The difficulty with color is to go beyond the | I think the best pictures are often on the edges |
| fact that it's color to have it be not just a | of any situation, I don't find photographing the |
| colorful picture but really be a picture about | situation nearly as interesting as |
| something. It's difficult. So often color gets | photographing the edges. - William Albert |
| caught up in color, and it becomes merely | Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | A picture is the expression of an impression. If |
| color and content; otherwise it is empty. | the beautiful were not in us, how would we |
| - Mary Ellen Mark | ever recognize it? - Ernst Haas |
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Omaha |
Baltimore |
Redding |
Amsterdam |
Montgomery |
West Mifflin |
Joliet |
Elyria |
Atmore |
Flagstaff |
West Orange |
Belton |
Shelton |
Mukwonago |
Voorhees |
Parsippany |
Ypsilanti |
Watertown |
Bridgeport |
West Columbia |
Staunton |
Liberty |
Maricopa |
Concord |
Mcclellan |
Kinder |
Commerce |
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| There is nothing worse than a sharp image of | Memory is very important, the memory of |
| a fuzzy concept. - Ansel Adams | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| It is not the language of painters but the | sure that you haven't left any holes, that you've |
| language of nature which one should listen to. | captured everything, because afterwards it will |
| . . . The feeling for the things themselves, for | be too late. - Henri Cartier Bresson |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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