| Above all, it's hard learning to live with vivid | Sometimes you can tell a large story with a |
| mental images of scenes I cared for and failed | tiny subject. - Eliot Porter |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | No place is boring, if you've had a good |
| assurance that the best photographs are yet to | night's sleep and have a pocket full of |
| be made. - Sam Abell | unexposed film. - Robert Adams |
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| It is not the language of painters but the | A room hung with pictures is a room hung with |
| language of nature which one should listen to. | thoughts. - Sir Joshua Reynolds |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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New York |
San Antonio |
Nashville |
Jacksonville |
Charleston |
Wichita |
Fort Myers |
Vancouver |
Spartanburg |
Kenosha |
Anderson |
Oakland |
Long Branch |
Bartlesville |
Silver Spring |
Kilgore |
Lake City |
Plymouth |
Steamboat Springs |
Crowley |
Rocky Hill |
Mundelein |
Hibbing |
Peoria |
London |
Pomona |
New Paris |
Clarks Summit |
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| The difficulty with color is to go beyond the | You've got to push yourself harder. You've got |
| fact that it's color to have it be not just a | to start looking for pictures nobody else could |
| colorful picture but really be a picture about | take. You've got to take the tools you have and |
| something. It's difficult. So often color gets | probe deeper. - William Albert Allard |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Photography records the gamut of feelings |
| brilliantly to make visual statements combining | written on the human face, the beauty of the |
| color and content; otherwise it is empty. | earth and skies that man has inherited and the |
| - Mary Ellen Mark | wealth and confusion man has created. |
| | - Edward Steichen |
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