| It is not the language of painters but the | A room hung with pictures is a room hung with |
| language of nature which one should listen to. | thoughts. - Sir Joshua Reynolds |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | I think the best pictures are often on the edges |
| pictures. - Vincent Van Gogh | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Above all, it's hard learning to live with vivid | photographing the edges. - William Albert |
| mental images of scenes I cared for and failed | Allard |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | Keep it simple. - Alfred Eienstaedt |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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New York |
Brooklyn |
Dallas |
Augusta |
North Augusta |
Suffolk |
Astoria |
Hauppauge |
Minnetonka |
Estes Park |
Huntersville |
Elmira |
Venice |
Brookfield |
Sallisaw |
Kissimmee |
Sandwich |
Norcross Atlanta |
West Bend |
Ocean City |
Venice |
Odem |
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| ...words and pictures can work together to | My own eyes are no more than scouts on a |
| communicate more powerfully than either | preliminary search, for the camera's eye may |
| alone. -William Albert Allard | entirely change my idea. - Edward |
| | Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A mad, keen photographer needs to get out |
| earth and skies that man has inherited and the | into the world and work and make mistakes. |
| wealth and confusion man has created. | - Sam Abell |
| - Edward Steichen | |
| | I almost never set out to photograph a |
| | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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