| "Simply look with perceptive eyes at the | Photography is a major force in explaining |
| world about you, and trust to your own | man to man. - Edward Steichen |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You've got to push yourself harder. You've got |
| and dream? Can I visualize a print - my own | to start looking for pictures nobody else could |
| personal statement of what I feel and want to | take. You've got to take the tools you have and |
| convey - from the subject before me?" | probe deeper. - William Albert Allard |
| - Ansel Adams | |
| | Photography knows how to authenticate its |
| It is not the language of painters but the | misrepresentations. - Mason Cooley |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Washington |
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| A good picture is equivalent to a good deed. | One should really use the camera as though |
| - Vincent Van Gogh | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | Photography suits the temper of this ageof |
| play. The more you look around at things, the | active bodies and minds. It is a perfect |
| more you see. The more you photograph, the | medium for one whose mind is teeming with |
| more you realize what can be photographed | ideas, imagery, for a prolific worker who |
| and what can't be photographed. You just have | would be slowed down by painting or |
| to keep doing it. - Eliot Porter | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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