| No place is boring, if you've had a good | Once photography enters your bloodstream, |
| night's sleep and have a pocket full of | it's like a disease. - Anon |
| unexposed film. - Robert Adams | |
| | [Photography] is a way of feeling, of touching, |
| You learn to see by practice. It's just like | of loving. What you have caught on film is |
| playing tennis, you get better the more you | captured forever . . . it remembers little things, |
| play. The more you look around at things, the | long after you have forgotten everything. |
| more you see. The more you photograph, the | - Aaron Siskind |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | "Simply look with perceptive eyes at the |
| to keep doing it. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Philadelphia |
Pittsburgh |
Greenville |
Huntsville |
Erie |
Clarksville |
Peoria |
Modesto |
Huntington Beach |
Colorado Springs |
Hollywood |
Kissimmee |
Salisbury |
North Olmsted |
Smyrna |
Mystic |
Woodbridge |
Kokomo |
London |
Clovis |
Riviera Beach |
Sparks |
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| My own eyes are no more than scouts on a | Photography is about finding out what can |
| preliminary search, for the camera's eye may | happen in the frame. When you put four |
| entirely change my idea. - Edward | edges around some facts, you change those |
| Weston | facts. - Gary Winogrand |
| | |
| One should really use the camera as though | Pictures you have taken have an influence on |
| tomorrow you'd be stricken blind. | those that you are going to make. |
| - Dorothea Lange | That's life! - John Sexton |
| | |
| A mad, keen photographer needs to get out | Memory is very important, the memory of |
| into the world and work and make mistakes. | each photo taken, flowing at the same speed |
| - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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