| One should really use the camera as though | It is not the language of painters but the |
| tomorrow you'd be stricken blind. | language of nature which one should listen to. |
| - Dorothea Lange | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Photography suits the temper of this ageof | pictures. - Vincent Van Gogh |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | [Photography] is a way of feeling, of touching, |
| ideas, imagery, for a prolific worker who | of loving. What you have caught on film is |
| would be slowed down by painting or | captured forever . . . it remembers little things, |
| sculpting, for one who sees quickly and acts | long after you have forgotten everything. |
| decisively, accurately. - Edward Weston | - Aaron Siskind |
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Houston |
Los Angeles |
Des Moines |
Chicago |
Columbia |
Anchorage |
Anaheim |
Sumter |
Fontana |
Port Huron |
Apopka |
Shreveport |
Dunmore |
Palm Desert |
St. Albans |
Pierre |
Pampa |
Bristol |
Amesbury |
Brookfield |
Clifton |
Sanford |
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| No place is boring, if you've had a good | Photography knows how to authenticate its |
| night's sleep and have a pocket full of | misrepresentations. - Mason Cooley |
| unexposed film. - Robert Adams | |
| | I think you have to have a real point of view |
| A picture is the expression of an impression. If | that's your own. You have to tell it your way. |
| the beautiful were not in us, how would we | And, I think that it's a mistake to shoot for a |
| ever recognize it? - Ernst Haas | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| I think the best pictures are often on the edges | for yourself and photograph [the way] you |
| of any situation, I don't find photographing the | believe it. - Mary Ellen Mark |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
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