| There is nothing worse than a sharp image of | ...words and pictures can work together to |
| a fuzzy concept. - Ansel Adams | communicate more powerfully than either |
| | alone. -William Albert Allard |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | I think you have to have a real point of view |
| captured forever . . . it remembers little things, | that's your own. You have to tell it your way. |
| long after you have forgotten everything. | And, I think that it's a mistake to shoot for a |
| - Aaron Siskind | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| It is not the language of painters but the | for yourself and photograph [the way] you |
| language of nature which one should listen to. | believe it. - Mary Ellen Mark |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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| My own eyes are no more than scouts on a | A great photograph is one that fully expresses |
| preliminary search, for the camera's eye may | what one feels, in the deepest sense, about |
| entirely change my idea. - Edward | what is being photographed. - Ansel |
| Weston | Adams |
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| Photography suits the temper of this ageof | A room hung with pictures is a room hung with |
| active bodies and minds. It is a perfect | thoughts. - Sir Joshua Reynolds |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | No place is boring, if you've had a good |
| would be slowed down by painting or | night's sleep and have a pocket full of |
| sculpting, for one who sees quickly and acts | unexposed film. - Robert Adams |
| decisively, accurately. - Edward Weston | |
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