| A mad, keen photographer needs to get out | Pictures you have taken have an influence on |
| into the world and work and make mistakes. | those that you are going to make. |
| - Sam Abell | That's life! - John Sexton |
| | |
| The camera makes everyone a tourist in other | Memory is very important, the memory of |
| people's reality. - Susan Sontag | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| The virtue of the camera is not the power it | sure that you haven't left any holes, that you've |
| has to transform the photographer into an | captured everything, because afterwards it will |
| artist, but the impulse it gives him to keep on | be too late. - Henri Cartier Bresson |
| looking. - Brooks Anderson | |
|
|
Bronx |
Baltimore |
Cleveland |
Iowa City |
Myrtle Beach |
College Station |
Troy |
Waco |
Kokomo |
New Kensington |
Manhattan |
Parkersburg |
Novato |
Elizabethton |
Middleton |
Pittsfield |
Latrobe |
Kansas City |
Union |
Huber Heights |
Rutherford |
Little Falls |
Tumwater |
Pecos |
Langley Park |
Manteca |
Levittown |
Plymouth |
Kahana |
|
|
| Now to consult the rules of composition before | A picture is the expression of an impression. If |
| making a picture is a little like consulting the | the beautiful were not in us, how would we |
| law of gravitation before going for a walk. | ever recognize it? - Ernst Haas |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | A great photograph is one that fully expresses |
| reflection . . . - Edward Weston | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| There is nothing worse than a sharp image of | Adams |
| a fuzzy concept. - Ansel Adams | |
| | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
|