| Photography suits the temper of this ageof | Photography is my passion. - Alfred |
| active bodies and minds. It is a perfect | Stieglitz |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Now to consult the rules of composition before |
| would be slowed down by painting or | making a picture is a little like consulting the |
| sculpting, for one who sees quickly and acts | law of gravitation before going for a walk. |
| decisively, accurately. - Edward Weston | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| My own eyes are no more than scouts on a | reflection . . . - Edward Weston |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | |
| Weston | |
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Houston |
Los Angeles |
Phoenix |
Kansas City |
Seattle |
Yonkers |
Wichita |
Pensacola |
Tallahassee |
Norfolk |
Stamford |
St. Cloud |
Easton |
Waco |
Santa Rosa |
Mason City |
Milton |
Summit |
Denville |
Massapequa Park |
Weston |
Pine Bluff |
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| Memory is very important, the memory of | A great photograph is one that fully expresses |
| each photo taken, flowing at the same speed | what one feels, in the deepest sense, about |
| as the event. During the work, you have to be | what is being photographed. - Ansel |
| sure that you haven't left any holes, that you've | Adams |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| I think you have to have a real point of view | situation nearly as interesting as |
| that's your own. You have to tell it your way. | photographing the edges. - William Albert |
| And, I think that it's a mistake to shoot for a | Allard |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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