| Now to consult the rules of composition before | You've got to push yourself harder. You've got |
| making a picture is a little like consulting the | to start looking for pictures nobody else could |
| law of gravitation before going for a walk. | take. You've got to take the tools you have and |
| Such rules and laws are deduced from the | probe deeper. - William Albert Allard |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | Photography is about finding out what can |
| | happen in the frame. When you put four |
| There is nothing worse than a sharp image of | edges around some facts, you change those |
| a fuzzy concept. - Ansel Adams | facts. - Gary Winogrand |
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Chicago |
San Antonio |
Phoenix |
Miami |
Fort Lauderdale |
Tucson |
Roanoke |
Columbia |
Whittier |
Greenwood |
Raleigh |
Liverpool |
Joplin |
Huntsville |
Leesburg |
Clark |
Benton |
Mission Viejo |
Holland |
Live Oak |
Charlotte |
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| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Sometimes you can tell a large story with a |
| brilliantly to make visual statements combining | tiny subject. - Eliot Porter |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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