| Photography knows how to authenticate its | "Simply look with perceptive eyes at the |
| misrepresentations. - Mason Cooley | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Pictures you have taken have an influence on | "Does this subject move me to feel, think |
| those that you are going to make. | and dream? Can I visualize a print - my own |
| That's life! - John Sexton | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| I think you have to have a real point of view | - Ansel Adams |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | Above all, it's hard learning to live with vivid |
| specific magazine's point of view because it's | mental images of scenes I cared for and failed |
| never going to be as good. You have to shoot | to photograph. It is the edgy existence within |
| for yourself and photograph [the way] you | me of these unmade images that is the only |
| believe it. - Mary Ellen Mark | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Houston |
San Diego |
San Antonio |
Chicago |
Miami |
Phoenix |
Torrance |
Anderson |
Columbus |
Duluth |
Santa Clara |
Westport |
Fair Lawn |
Ennis |
Texarkana |
Sarasota |
Grand Blanc |
Gaylord |
Apopka |
Horseheads |
Fredericksburg |
Lake Geneva |
Christiansburg |
Falls Church |
Cairo |
Livingston |
Santa Fe Springs |
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| A picture is the expression of an impression. If | A mad, keen photographer needs to get out |
| the beautiful were not in us, how would we | into the world and work and make mistakes. |
| ever recognize it? - Ernst Haas | - Sam Abell |
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| You can find pictures anywhere. It's simply a | Photography suits the temper of this ageof |
| matter of noticing things and organizing them. | active bodies and minds. It is a perfect |
| You just have to care about what's around you | medium for one whose mind is teeming with |
| and have a concern with humanity and the | ideas, imagery, for a prolific worker who |
| human comedy. - Elliott Erwitt | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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