| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A great photograph is one that fully expresses | "Does this subject move me to feel, think |
| what one feels, in the deepest sense, about | and dream? Can I visualize a print - my own |
| what is being photographed. - Ansel | personal statement of what I feel and want to |
| Adams | convey - from the subject before me?" |
| | - Ansel Adams |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Houston |
Baltimore |
Sacramento |
Madison |
Los Angeles |
Pasadena |
New York |
Dallas |
Jacksonville |
Clarksburg |
Latham |
Buford |
Calhoun |
Kirkland |
Danville |
Rochelle |
Bridgeville |
Faith |
Troy |
Lowell |
Hollywood |
Harpers Ferry |
Warren |
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| Memory is very important, the memory of | The difficulty with color is to go beyond the |
| each photo taken, flowing at the same speed | fact that it's color to have it be not just a |
| as the event. During the work, you have to be | colorful picture but really be a picture about |
| sure that you haven't left any holes, that you've | something. It's difficult. So often color gets |
| captured everything, because afterwards it will | caught up in color, and it becomes merely |
| be too late. - Henri Cartier Bresson | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Pictures you have taken have an influence on | color and content; otherwise it is empty. |
| those that you are going to make. | - Mary Ellen Mark |
| That's life! - John Sexton | |
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