| Photography is a major force in explaining | You learn to see by practice. It's just like |
| man to man. - Edward Steichen | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography records the gamut of feelings | more you see. The more you photograph, the |
| written on the human face, the beauty of the | more you realize what can be photographed |
| earth and skies that man has inherited and the | and what can't be photographed. You just have |
| wealth and confusion man has created. | to keep doing it. - Eliot Porter |
| - Edward Steichen | |
| | A picture is the expression of an impression. If |
| Photography is about finding out what can | the beautiful were not in us, how would we |
| happen in the frame. When you put four | ever recognize it? - Ernst Haas |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
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Seattle |
Lexington |
Norfolk |
Delray Beach |
Woodbridge |
Owensboro |
Marietta |
Hopkinsville |
Kankakee |
Ridgeland |
Rocklin |
Kalkaska |
Pullman |
Cottonwood |
Vernon |
Erie |
Oak Creek |
Ronkonkoma |
Onamia |
Budd Lake |
Qkb |
Sugar Land |
Eureka |
Ferndale |
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| The difficulty with color is to go beyond the | [Photography] is a way of feeling, of touching, |
| fact that it's color to have it be not just a | of loving. What you have caught on film is |
| colorful picture but really be a picture about | captured forever . . . it remembers little things, |
| something. It's difficult. So often color gets | long after you have forgotten everything. |
| caught up in color, and it becomes merely | - Aaron Siskind |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | "Simply look with perceptive eyes at the |
| color and content; otherwise it is empty. | world about you, and trust to your own |
| - Mary Ellen Mark | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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