| Photography is my passion. - Alfred | I almost never set out to photograph a |
| Stieglitz | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| "Simply look with perceptive eyes at the | unless I absolutely need a 'record shot'. My |
| world about you, and trust to your own | first thought is always of light. - Galen |
| reactions and convictions. Ask yourself: | Rowell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | My own eyes are no more than scouts on a |
| personal statement of what I feel and want to | preliminary search, for the camera's eye may |
| convey - from the subject before me?" | entirely change my idea. - Edward |
| - Ansel Adams | Weston |
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Brooklyn |
Omaha |
Syracuse |
Boston |
Tacoma |
Mobile |
New York |
Atlanta |
Stamford |
Johnson City |
Lambertville |
Smithfield |
Moberly |
Selma |
Canonsburg |
Snellville |
Darien |
Montgomery |
London |
Monroe |
Delta |
Neosho |
Lodi |
Sandusky |
Jackson |
Marinette |
Sioux Center |
Front Royal |
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| Pictures you have taken have an influence on | A great photograph is one that fully expresses |
| those that you are going to make. | what one feels, in the deepest sense, about |
| That's life! - John Sexton | what is being photographed. - Ansel |
| | Adams |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | You can find pictures anywhere. It's simply a |
| as the event. During the work, you have to be | matter of noticing things and organizing them. |
| sure that you haven't left any holes, that you've | You just have to care about what's around you |
| captured everything, because afterwards it will | and have a concern with humanity and the |
| be too late. - Henri Cartier Bresson | human comedy. - Elliott Erwitt |
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