| Keep it simple. - Alfred Eienstaedt | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| A great photograph is one that fully expresses | take. You've got to take the tools you have and |
| what one feels, in the deepest sense, about | probe deeper. - William Albert Allard |
| what is being photographed. - Ansel | |
| Adams | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | ...words and pictures can work together to |
| unexposed film. - Robert Adams | communicate more powerfully than either |
| | alone. -William Albert Allard |
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Chicago |
Austin |
Overland Park |
New Orleans |
Huntington Beach |
Ogden |
Staten Island |
Albuquerque |
Santa Ana |
Anaheim |
Memphis |
Bethesda |
Artesia |
Colorado Springs |
Merrimack |
Goodyear |
Ruston |
Covington |
Walterboro |
North Richland Hills |
Roswell |
Maumee |
Springfield |
Ivins |
Brandon |
Burlington |
Mount Arlington |
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| [Photography] is a way of feeling, of touching, | The difficulty with color is to go beyond the |
| of loving. What you have caught on film is | fact that it's color to have it be not just a |
| captured forever . . . it remembers little things, | colorful picture but really be a picture about |
| long after you have forgotten everything. | something. It's difficult. So often color gets |
| - Aaron Siskind | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Photography is my passion. - Alfred | brilliantly to make visual statements combining |
| Stieglitz | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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