| Pictures you have taken have an influence on | "Simply look with perceptive eyes at the |
| those that you are going to make. | world about you, and trust to your own |
| That's life! - John Sexton | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| You've got to push yourself harder. You've got | and dream? Can I visualize a print - my own |
| to start looking for pictures nobody else could | personal statement of what I feel and want to |
| take. You've got to take the tools you have and | convey - from the subject before me?" |
| probe deeper. - William Albert Allard | - Ansel Adams |
| | |
| Photography is about finding out what can | Once photography enters your bloodstream, |
| happen in the frame. When you put four | it's like a disease. - Anon |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | |
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Houston |
Brooklyn |
New York |
Austin |
Clearwater |
Gainesville |
Boise |
Huntsville |
Johnson City |
Melbourne |
Racine |
Buffalo |
Bellevue |
Titusville |
Brunswick |
Lacey |
San Diego |
Stoughton |
Great Bend |
Steamboat Springs |
Marshfield |
Reedsburg |
Marshall |
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| The virtue of the camera is not the power it | I think the best pictures are often on the edges |
| has to transform the photographer into an | of any situation, I don't find photographing the |
| artist, but the impulse it gives him to keep on | situation nearly as interesting as |
| looking. - Brooks Anderson | photographing the edges. - William Albert |
| | Allard |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | A great photograph is one that fully expresses |
| - Dorothea Lange | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| My own eyes are no more than scouts on a | Adams |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | |
| Weston | |
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