| My own eyes are no more than scouts on a | A great photograph is one that fully expresses |
| preliminary search, for the camera's eye may | what one feels, in the deepest sense, about |
| entirely change my idea. - Edward | what is being photographed. - Ansel |
| Weston | Adams |
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| The camera makes everyone a tourist in other | A picture is the expression of an impression. If |
| people's reality. - Susan Sontag | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | A good picture is equivalent to a good deed. |
| artist, but the impulse it gives him to keep on | - Vincent Van Gogh |
| looking. - Brooks Anderson | |
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New York |
Brooklyn |
Tampa |
Jacksonville |
Los Angeles |
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| You've got to push yourself harder. You've got | Once photography enters your bloodstream, |
| to start looking for pictures nobody else could | it's like a disease. - Anon |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| Memory is very important, the memory of | reactions and convictions. Ask yourself: |
| each photo taken, flowing at the same speed | "Does this subject move me to feel, think |
| as the event. During the work, you have to be | and dream? Can I visualize a print - my own |
| sure that you haven't left any holes, that you've | personal statement of what I feel and want to |
| captured everything, because afterwards it will | convey - from the subject before me?" |
| be too late. - Henri Cartier Bresson | - Ansel Adams |
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