| No place is boring, if you've had a good | Photography knows how to authenticate its |
| night's sleep and have a pocket full of | misrepresentations. - Mason Cooley |
| unexposed film. - Robert Adams | |
| | Pictures you have taken have an influence on |
| You learn to see by practice. It's just like | those that you are going to make. |
| playing tennis, you get better the more you | That's life! - John Sexton |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | Photography is a major force in explaining |
| more you realize what can be photographed | man to man. - Edward Steichen |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Chicago |
Houston |
Pittsburgh |
Durham |
Hickory |
Inglewood |
Lake Worth |
Charlotte |
Santa Barbara |
Lafayette |
Meadville |
Rogers |
Battle Creek |
La Plata |
Grayson |
Nacogdoches |
Kearney |
Manitowoc |
Shelbyville |
Brandon |
Greenville |
Ceres |
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| The difficulty with color is to go beyond the | There is nothing worse than a sharp image of |
| fact that it's color to have it be not just a | a fuzzy concept. - Ansel Adams |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Once photography enters your bloodstream, |
| caught up in color, and it becomes merely | it's like a disease. - Anon |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | "Simply look with perceptive eyes at the |
| color and content; otherwise it is empty. | world about you, and trust to your own |
| - Mary Ellen Mark | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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