| Photography suits the temper of this ageof | Now to consult the rules of composition before |
| active bodies and minds. It is a perfect | making a picture is a little like consulting the |
| medium for one whose mind is teeming with | law of gravitation before going for a walk. |
| ideas, imagery, for a prolific worker who | Such rules and laws are deduced from the |
| would be slowed down by painting or | accomplished fact; they are the products of |
| sculpting, for one who sees quickly and acts | reflection . . . - Edward Weston |
| decisively, accurately. - Edward Weston | |
| | [Photography] is a way of feeling, of touching, |
| The virtue of the camera is not the power it | of loving. What you have caught on film is |
| has to transform the photographer into an | captured forever . . . it remembers little things, |
| artist, but the impulse it gives him to keep on | long after you have forgotten everything. |
| looking. - Brooks Anderson | - Aaron Siskind |
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Chicago |
Dallas |
San Jose |
Seattle |
Charlotte |
Fort Lauderdale |
Tallahassee |
Lakeland |
Mission Viejo |
Hialeah |
Niagara Falls |
Prattville |
Spring Hill |
Vero Beach |
Parkersburg |
Litchfield |
Plymouth |
Watertown |
Los Banos |
Philippi |
Cannon Beach |
Howe |
Norman |
Newbury Park |
Weedsport |
Saint Paul |
Chittenden |
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| Memory is very important, the memory of | A good picture is equivalent to a good deed. |
| each photo taken, flowing at the same speed | - Vincent Van Gogh |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Sometimes you can tell a large story with a |
| captured everything, because afterwards it will | tiny subject. - Eliot Porter |
| be too late. - Henri Cartier Bresson | |
| | A picture is the expression of an impression. If |
| I think you have to have a real point of view | the beautiful were not in us, how would we |
| that's your own. You have to tell it your way. | ever recognize it? - Ernst Haas |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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