| A mad, keen photographer needs to get out | Photography is about finding out what can |
| into the world and work and make mistakes. | happen in the frame. When you put four |
| - Sam Abell | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | Memory is very important, the memory of |
| means of recording a mountain or an animal | each photo taken, flowing at the same speed |
| unless I absolutely need a 'record shot'. My | as the event. During the work, you have to be |
| first thought is always of light. - Galen | sure that you haven't left any holes, that you've |
| Rowell | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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New York |
Omaha |
Springfield |
Knoxville |
Odessa |
Denver |
Hemet |
Springfield |
Rome |
Sunnyvale |
Salem |
Kingman |
Colorado Springs |
Scarborough |
Bainbridge |
Buford |
Rockdale |
Beaver Dam |
Plano |
Rocky Hill |
Ashland |
Sand Springs |
Liverpool |
Summersville |
Bessemer |
Palestine |
Odem |
Yadkinville |
Corrales |
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| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | You learn to see by practice. It's just like |
| personal statement of what I feel and want to | playing tennis, you get better the more you |
| convey - from the subject before me?" | play. The more you look around at things, the |
| - Ansel Adams | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| [Photography] is a way of feeling, of touching, | and what can't be photographed. You just have |
| of loving. What you have caught on film is | to keep doing it. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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