| A great photograph is one that fully expresses | There is nothing worse than a sharp image of |
| what one feels, in the deepest sense, about | a fuzzy concept. - Ansel Adams |
| what is being photographed. - Ansel | |
| Adams | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| A room hung with pictures is a room hung with | reactions and convictions. Ask yourself: |
| thoughts. - Sir Joshua Reynolds | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| A picture is the expression of an impression. If | personal statement of what I feel and want to |
| the beautiful were not in us, how would we | convey - from the subject before me?" |
| ever recognize it? - Ernst Haas | - Ansel Adams |
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Houston |
Madison |
Syracuse |
Glendale |
Warren |
Riverside |
Springfield |
Johnstown |
Lancaster |
Folsom |
Kokomo |
Vicksburg |
San Bruno |
Chambersburg |
Riverhead |
Gretna |
Columbus |
Fairmont |
New Providence |
Wakefield |
Tulsa |
Fenton |
Madisonville |
Carbondale |
Hasbrouck Heights |
Cambridge |
St. Louis Park |
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| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | You've got to push yourself harder. You've got |
| caught up in color, and it becomes merely | to start looking for pictures nobody else could |
| decorative. Some photographers use [ it ] | take. You've got to take the tools you have and |
| brilliantly to make visual statements combining | probe deeper. - William Albert Allard |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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