| Keep it simple. - Alfred Eienstaedt | It is not the language of painters but the |
| | language of nature which one should listen to. |
| A room hung with pictures is a room hung with | . . . The feeling for the things themselves, for |
| thoughts. - Sir Joshua Reynolds | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | "Simply look with perceptive eyes at the |
| unexposed film. - Robert Adams | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A picture is the expression of an impression. If | "Does this subject move me to feel, think |
| the beautiful were not in us, how would we | and dream? Can I visualize a print - my own |
| ever recognize it? - Ernst Haas | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Las Vegas |
San Antonio |
Harrisburg |
Detroit |
Marietta |
Glendale |
St. Joseph |
Mankato |
Ludington |
Hutchinson |
Lisle |
Columbus |
Chino |
Middlesboro |
Altoona |
Taunton |
Bozeman |
Oak Park |
Lincolnton |
Hastings |
Bremen |
Saugus |
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| A mad, keen photographer needs to get out | Photography records the gamut of feelings |
| into the world and work and make mistakes. | written on the human face, the beauty of the |
| - Sam Abell | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| The virtue of the camera is not the power it | - Edward Steichen |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | Photography knows how to authenticate its |
| looking. - Brooks Anderson | misrepresentations. - Mason Cooley |
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| One should really use the camera as though | Photography is a major force in explaining |
| tomorrow you'd be stricken blind. | man to man. - Edward Steichen |
| - Dorothea Lange | |
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