| You can find pictures anywhere. It's simply a | Pictures you have taken have an influence on |
| matter of noticing things and organizing them. | those that you are going to make. |
| You just have to care about what's around you | That's life! - John Sexton |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| I think the best pictures are often on the edges | as the event. During the work, you have to be |
| of any situation, I don't find photographing the | sure that you haven't left any holes, that you've |
| situation nearly as interesting as | captured everything, because afterwards it will |
| photographing the edges. - William Albert | be too late. - Henri Cartier Bresson |
| Allard | |
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Oklahoma City |
Hollywood |
Thomasville |
Brownsville |
Fullerton |
Dubuque |
Newport |
Owensboro |
Coos Bay |
Waco |
Ashtabula |
Delaware |
Henderson |
Lakewood |
Opelika |
Princeton |
Zumbrota |
New Buffalo |
Boulder |
San Juan Capistrano |
Celina |
Logansport |
Trevose |
Lander |
Silver City |
Bushnell |
Somerset |
Lawrence |
Nederland |
Mount Sterling |
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| I almost never set out to photograph a | "Simply look with perceptive eyes at the |
| landscape, nor do I think of my camera as a | world about you, and trust to your own |
| means of recording a mountain or an animal | reactions and convictions. Ask yourself: |
| unless I absolutely need a 'record shot'. My | "Does this subject move me to feel, think |
| first thought is always of light. - Galen | and dream? Can I visualize a print - my own |
| Rowell | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| My own eyes are no more than scouts on a | - Ansel Adams |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Above all, it's hard learning to live with vivid |
| Weston | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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