| "Simply look with perceptive eyes at the | I think the best pictures are often on the edges |
| world about you, and trust to your own | of any situation, I don't find photographing the |
| reactions and convictions. Ask yourself: | situation nearly as interesting as |
| "Does this subject move me to feel, think | photographing the edges. - William Albert |
| and dream? Can I visualize a print - my own | Allard |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | No place is boring, if you've had a good |
| - Ansel Adams | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Photography is my passion. - Alfred | |
| Stieglitz | |
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Fort Lauderdale |
Philadelphia |
Los Angeles |
Nashville |
Long Beach |
San Antonio |
St. Paul |
New York |
Warren |
Anchorage |
Clarksville |
Rockville |
Jonesboro |
Worcester |
Paso Robles |
Jefferson City |
Modesto |
Vallejo |
Springfield |
West Chester |
Greenville |
Clovis |
Bowling Green |
West Point |
Edison |
Manchester |
Ville Platte |
Clovis |
Englewood |
Salina |
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| Pictures you have taken have an influence on | Photography suits the temper of this ageof |
| those that you are going to make. | active bodies and minds. It is a perfect |
| That's life! - John Sexton | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| Photography knows how to authenticate its | would be slowed down by painting or |
| misrepresentations. - Mason Cooley | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | The difficulty with color is to go beyond the |
| take. You've got to take the tools you have and | fact that it's color to have it be not just a |
| probe deeper. - William Albert Allard | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|