| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography suits the temper of this ageof | captured everything, because afterwards it will |
| active bodies and minds. It is a perfect | be too late. - Henri Cartier Bresson |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | You've got to push yourself harder. You've got |
| would be slowed down by painting or | to start looking for pictures nobody else could |
| sculpting, for one who sees quickly and acts | take. You've got to take the tools you have and |
| decisively, accurately. - Edward Weston | probe deeper. - William Albert Allard |
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Philadelphia |
Dallas |
Rochester |
Sarasota |
Indianapolis |
Glendale |
Pensacola |
Bellingham |
St. Joseph |
New Albany |
Auburn |
Jacksonville |
Wooster |
Ellisville |
Macon |
Port Clinton |
New Windsor |
Mechanicsburg |
Allen |
Fishkill |
Citrus Heights |
Cheraw |
Wenatchee |
Vallejo |
Jefferson City |
Riverton |
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| A picture is the expression of an impression. If | Photography takes an instant out of time, |
| the beautiful were not in us, how would we | altering life by holding it still. - Dorothea |
| ever recognize it? - Ernst Haas | Lange |
| | |
| A good picture is equivalent to a good deed. | It is not the language of painters but the |
| - Vincent Van Gogh | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A great photograph is one that fully expresses | reality, is more important than the feeling for |
| what one feels, in the deepest sense, about | pictures. - Vincent Van Gogh |
| what is being photographed. - Ansel | |
| Adams | |
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