| Photography is about finding out what can | A picture is the expression of an impression. If |
| happen in the frame. When you put four | the beautiful were not in us, how would we |
| edges around some facts, you change those | ever recognize it? - Ernst Haas |
| facts. - Gary Winogrand | |
| | You can find pictures anywhere. It's simply a |
| I think you have to have a real point of view | matter of noticing things and organizing them. |
| that's your own. You have to tell it your way. | You just have to care about what's around you |
| And, I think that it's a mistake to shoot for a | and have a concern with humanity and the |
| specific magazine's point of view because it's | human comedy. - Elliott Erwitt |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Tucson |
Indianapolis |
Shreveport |
Bronx |
Worcester |
Gainesville |
Rochester |
Edison |
Cincinnati |
San Bernardino |
Clearwater |
Temecula |
Pompano Beach |
Huntsville |
Covington |
Laramie |
Brattleboro |
Tracy |
Richmond |
New Boston |
Reedsburg |
St. Francisville |
Aptos |
Thornton |
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| [Photography] is a way of feeling, of touching, | My own eyes are no more than scouts on a |
| of loving. What you have caught on film is | preliminary search, for the camera's eye may |
| captured forever . . . it remembers little things, | entirely change my idea. - Edward |
| long after you have forgotten everything. | Weston |
| - Aaron Siskind | |
| | A mad, keen photographer needs to get out |
| "Simply look with perceptive eyes at the | into the world and work and make mistakes. |
| world about you, and trust to your own | - Sam Abell |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | The camera makes everyone a tourist in other |
| and dream? Can I visualize a print - my own | people's reality. - Susan Sontag |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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