| Sometimes you can tell a large story with a | The difficulty with color is to go beyond the |
| tiny subject. - Eliot Porter | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| A room hung with pictures is a room hung with | something. It's difficult. So often color gets |
| thoughts. - Sir Joshua Reynolds | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| I think the best pictures are often on the edges | brilliantly to make visual statements combining |
| of any situation, I don't find photographing the | color and content; otherwise it is empty. |
| situation nearly as interesting as | - Mary Ellen Mark |
| photographing the edges. - William Albert | |
| Allard | |
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Philadelphia |
Alexandria |
Long Beach |
Reno |
Union |
Greeley |
Morganton |
Manchester |
Miami |
High Point |
Roswell |
Toledo |
Mankato |
Medford |
Indiana |
Peru |
Duluth |
King |
Odessa |
Ottumwa |
Racine |
Cadillac |
Great Falls |
Addison |
Stafford |
Matthews |
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| ...words and pictures can work together to | It is not the language of painters but the |
| communicate more powerfully than either | language of nature which one should listen to. |
| alone. -William Albert Allard | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| You've got to push yourself harder. You've got | pictures. - Vincent Van Gogh |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | There is nothing worse than a sharp image of |
| probe deeper. - William Albert Allard | a fuzzy concept. - Ansel Adams |
| | |
| Photography knows how to authenticate its | Photography is my passion. - Alfred |
| misrepresentations. - Mason Cooley | Stieglitz |
|