| Sometimes you can tell a large story with a | I almost never set out to photograph a |
| tiny subject. - Eliot Porter | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| You learn to see by practice. It's just like | unless I absolutely need a 'record shot'. My |
| playing tennis, you get better the more you | first thought is always of light. - Galen |
| play. The more you look around at things, the | Rowell |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | My own eyes are no more than scouts on a |
| and what can't be photographed. You just have | preliminary search, for the camera's eye may |
| to keep doing it. - Eliot Porter | entirely change my idea. - Edward |
| | Weston |
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Brooklyn |
Phoenix |
Nashville |
Dallas |
Cedar Rapids |
Memphis |
Philadelphia |
Killeen |
Charlotte |
Boynton Beach |
Olympia |
Jefferson City |
Redwood City |
Marysville |
Norwalk |
New Port Richey |
Green Valley |
Clinton Township |
Metairie |
Fairborn |
Gloucester |
Uniontown |
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| Memory is very important, the memory of | Above all, it's hard learning to live with vivid |
| each photo taken, flowing at the same speed | mental images of scenes I cared for and failed |
| as the event. During the work, you have to be | to photograph. It is the edgy existence within |
| sure that you haven't left any holes, that you've | me of these unmade images that is the only |
| captured everything, because afterwards it will | assurance that the best photographs are yet to |
| be too late. - Henri Cartier Bresson | be made. - Sam Abell |
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| Photography knows how to authenticate its | Once photography enters your bloodstream, |
| misrepresentations. - Mason Cooley | it's like a disease. - Anon |
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