| I almost never set out to photograph a | "Simply look with perceptive eyes at the |
| landscape, nor do I think of my camera as a | world about you, and trust to your own |
| means of recording a mountain or an animal | reactions and convictions. Ask yourself: |
| unless I absolutely need a 'record shot'. My | "Does this subject move me to feel, think |
| first thought is always of light. - Galen | and dream? Can I visualize a print - my own |
| Rowell | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| The virtue of the camera is not the power it | - Ansel Adams |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | Once photography enters your bloodstream, |
| looking. - Brooks Anderson | it's like a disease. - Anon |
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Houston |
San Antonio |
Kansas City |
Cincinnati |
Fort Wayne |
Dallas |
Stockton |
Lubbock |
Fort Worth |
Vineland |
Peabody |
Chandler |
Albuquerque |
Bessemer |
Jackson |
Anniston |
Iselin |
Norcross |
Mount Olive |
Rocklin |
Provincetown |
Milton |
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| Photography is about finding out what can | You learn to see by practice. It's just like |
| happen in the frame. When you put four | playing tennis, you get better the more you |
| edges around some facts, you change those | play. The more you look around at things, the |
| facts. - Gary Winogrand | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| Memory is very important, the memory of | and what can't be photographed. You just have |
| each photo taken, flowing at the same speed | to keep doing it. - Eliot Porter |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | A good picture is equivalent to a good deed. |
| captured everything, because afterwards it will | - Vincent Van Gogh |
| be too late. - Henri Cartier Bresson | |
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