| You can find pictures anywhere. It's simply a | "Simply look with perceptive eyes at the |
| matter of noticing things and organizing them. | world about you, and trust to your own |
| You just have to care about what's around you | reactions and convictions. Ask yourself: |
| and have a concern with humanity and the | "Does this subject move me to feel, think |
| human comedy. - Elliott Erwitt | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| A picture is the expression of an impression. If | convey - from the subject before me?" |
| the beautiful were not in us, how would we | - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | It is not the language of painters but the |
| | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Chicago |
Corpus Christi |
New Orleans |
Goldsboro |
Tracy |
Killeen |
Stafford |
Sedona |
Mentor |
Bishopville |
Panama City |
Dubuque |
Lowell |
Edina |
Enterprise |
Kingman |
Blue Springs |
Horsham |
Beloit |
Bayside |
Elyria |
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| The virtue of the camera is not the power it | Photography is about finding out what can |
| has to transform the photographer into an | happen in the frame. When you put four |
| artist, but the impulse it gives him to keep on | edges around some facts, you change those |
| looking. - Brooks Anderson | facts. - Gary Winogrand |
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| I almost never set out to photograph a | You've got to push yourself harder. You've got |
| landscape, nor do I think of my camera as a | to start looking for pictures nobody else could |
| means of recording a mountain or an animal | take. You've got to take the tools you have and |
| unless I absolutely need a 'record shot'. My | probe deeper. - William Albert Allard |
| first thought is always of light. - Galen | |
| Rowell | |
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