| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| Memory is very important, the memory of | sculpting, for one who sees quickly and acts |
| each photo taken, flowing at the same speed | decisively, accurately. - Edward Weston |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | My own eyes are no more than scouts on a |
| captured everything, because afterwards it will | preliminary search, for the camera's eye may |
| be too late. - Henri Cartier Bresson | entirely change my idea. - Edward |
| | Weston |
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Dallas |
Brooklyn |
Pittsburgh |
Los Angeles |
Columbus |
Tyler |
Mesquite |
Norfolk |
Birmingham |
Roseburg |
Laguna Hills |
Ponte Vedra Beach |
Hot Springs |
Stephenville |
Indianapolis |
Briarcliff Manor |
Niagara Falls |
Kenosha |
Van Buren |
Faribault |
Birmingham |
West Jordan |
Bastrop |
Cambridge |
Santa Nella |
Lamar |
Sanford |
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| A great photograph is one that fully expresses | Above all, it's hard learning to live with vivid |
| what one feels, in the deepest sense, about | mental images of scenes I cared for and failed |
| what is being photographed. - Ansel | to photograph. It is the edgy existence within |
| Adams | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| I think the best pictures are often on the edges | be made. - Sam Abell |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | "Simply look with perceptive eyes at the |
| photographing the edges. - William Albert | world about you, and trust to your own |
| Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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