| [Photography] is a way of feeling, of touching, | I think you have to have a real point of view |
| of loving. What you have caught on film is | that's your own. You have to tell it your way. |
| captured forever . . . it remembers little things, | And, I think that it's a mistake to shoot for a |
| long after you have forgotten everything. | specific magazine's point of view because it's |
| - Aaron Siskind | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| There is nothing worse than a sharp image of | believe it. - Mary Ellen Mark |
| a fuzzy concept. - Ansel Adams | |
| | You've got to push yourself harder. You've got |
| It is not the language of painters but the | to start looking for pictures nobody else could |
| language of nature which one should listen to. | take. You've got to take the tools you have and |
| . . . The feeling for the things themselves, for | probe deeper. - William Albert Allard |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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| No place is boring, if you've had a good | Photography suits the temper of this ageof |
| night's sleep and have a pocket full of | active bodies and minds. It is a perfect |
| unexposed film. - Robert Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| A good picture is equivalent to a good deed. | would be slowed down by painting or |
| - Vincent Van Gogh | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | One should really use the camera as though |
| ever recognize it? - Ernst Haas | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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