| One should really use the camera as though | You've got to push yourself harder. You've got |
| tomorrow you'd be stricken blind. | to start looking for pictures nobody else could |
| - Dorothea Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | I think you have to have a real point of view |
| medium for one whose mind is teeming with | that's your own. You have to tell it your way. |
| ideas, imagery, for a prolific worker who | And, I think that it's a mistake to shoot for a |
| would be slowed down by painting or | specific magazine's point of view because it's |
| sculpting, for one who sees quickly and acts | never going to be as good. You have to shoot |
| decisively, accurately. - Edward Weston | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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New York |
Cleveland |
Fort Lauderdale |
Mesa |
Torrance |
Amarillo |
Albany |
Sunnyvale |
Schaumburg |
Camp Hill |
Waukesha |
New Smyrna Beach |
Woodland |
Princeton |
Charleston |
Lebanon |
Mount Pleasant |
Big Rapids |
Foley |
Camden |
Sulphur |
Clarksville |
Warsaw |
Battleboro |
Wallingford |
Mystic |
Sitka |
Winfield |
Mankato |
Morris |
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| Keep it simple. - Alfred Eienstaedt | It is not the language of painters but the |
| | language of nature which one should listen to. |
| A great photograph is one that fully expresses | . . . The feeling for the things themselves, for |
| what one feels, in the deepest sense, about | reality, is more important than the feeling for |
| what is being photographed. - Ansel | pictures. - Vincent Van Gogh |
| Adams | |
| | "Simply look with perceptive eyes at the |
| I think the best pictures are often on the edges | world about you, and trust to your own |
| of any situation, I don't find photographing the | reactions and convictions. Ask yourself: |
| situation nearly as interesting as | "Does this subject move me to feel, think |
| photographing the edges. - William Albert | and dream? Can I visualize a print - my own |
| Allard | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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