| There is nothing worse than a sharp image of | Photography is a major force in explaining |
| a fuzzy concept. - Ansel Adams | man to man. - Edward Steichen |
| | |
| Now to consult the rules of composition before | You've got to push yourself harder. You've got |
| making a picture is a little like consulting the | to start looking for pictures nobody else could |
| law of gravitation before going for a walk. | take. You've got to take the tools you have and |
| Such rules and laws are deduced from the | probe deeper. - William Albert Allard |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Salt Lake City |
Warren |
Denver |
Rockville |
Bellevue |
London |
Harlingen |
Baton Rouge |
Hartsville |
Simi Valley |
Scottsdale |
Anchorage |
Hartford |
Butler |
Panama City Beach |
Paris |
Corvallis |
Moore |
Carrollton |
Altoona |
Malvern |
Fairfield |
Bowling Green |
Gunnison |
Parowan |
Chesterfield |
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| The difficulty with color is to go beyond the | Keep it simple. - Alfred Eienstaedt |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | A picture is the expression of an impression. If |
| something. It's difficult. So often color gets | the beautiful were not in us, how would we |
| caught up in color, and it becomes merely | ever recognize it? - Ernst Haas |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | A room hung with pictures is a room hung with |
| color and content; otherwise it is empty. | thoughts. - Sir Joshua Reynolds |
| - Mary Ellen Mark | |
| | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
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